We Are No Longer Babaylan

Pub. date: November 1, 2020
New Rivers Press | ISBN: 978-0-89823-397-1 | 200 pages

We Are No Longer Babaylan is now available.  For purchase, click on the icons below. 
Orders from SPD is preferred.
You can also request it at your local bookstore.

NRP SPD 1 Books-a-Million ThriftbooksIndie Bound B&N green Amazon black

***

EDITORS’ CHOICE SELECTION: New Rivers Press 2018 Many Voices Project Prose Competition

A lyrical collection of essays that grapple with identity, family, and femininity, and with the dysphoria of being from a spiritual, matriarchal society in a colonized, patriarchal world.

PRAISE for We Are No Longer Babaylan

Janice Lobo Sapigao“Every word of We Are No Longer Babaylan brilliantly hooks with and hinges on magic, and the magic of possibility. Valmidiano frames the ancient, persistent pain that hammers and chisels Filipina American knowledge with ritual and unrest. She articulates screams and silences, exalting that in order to engage with the Filipina, female, and storied being is to see her in all of her palimpsests. Her prose about the mysteries of waiting, family in manifold forms, and Pinay friendship, features a heartfelt, phenomenal voice declaring, time and time again, women’s bodies–of writing, of work, of ceremony–theirs to narrate and protect.”

Janice Lobo Sapigao, 2020-2021 Santa Clara County Poet Laureate, author of microchips for millions and like a solid to a shadow

Trinidad Escobar

“When a powerful witch promises revenge before being fed to crocodiles and then, hundreds of years into the future, over decades of colonization and occupation, whispers into the ear of a rebellious girl, the ear of her descendant, a book like We Are No Longer Babaylan is born. Elsa Valmidiano uses language like a bolo cutting through hectares of land overgrown with amnesia and myopia. With this collection of critical and graceful stories, we readers are able to see again with such clarity and light. So much light that the shadows lengthen and then retreat again, a continuous ebb and flow of politicized, personal revelation and cultural examination. Many who read this book—from those of generations who remember demons intimately to the younger generations only now recalling their names—will see a kind of summoning of the babaylan we ‘used to be’, an invitation for her to once again stand by our side.”

Trinidad Escobar, graphic novelist, cartoonist, poet, author of CRUSHED

“In Elsa Valmidiano’s deeply moving debut collection of essays, We Are No Longer ​Babaylan, one finds oneself so utterly changed in the reading, in the way that only the rarest works do, and rarely so, for such transformations do not come lightly. Every book we open is a risk to all that we knew before. To read is an act of courage, to write, a bravery beyond even the word itself. Such is Valmidiano’s book, a bravery in spirit, an absolute truth telling, a sacred kind of song. No matter how much has been done to them, the light of some things cannot be turned down. But we are required, then, to speak of the unspeakable, to hold the unholdable, to tell our stories with compassion, complexity, honesty and awe. We Are No Longer Babaylan is a brave and astounding work that touches the spirit in unpredictable and beautiful ways. Healing is part of it, and hope, and love, and pain.”

Anti-Heroin Chic, from an interview conducted by James Diaz, EIC and author of This Someone I Call Stranger

“Despite the emphasis on the unrelenting nature of painful emotions and memories, We Are No Longer Babaylan celebrates resilience in a way that never oversimplifies struggle or the wounds and scars left behind.”

Marías at Sampaguitas

“There exists an experience for many Filipino-Americans that separates them from the country they live, the ‘homeland’ they feel culturally bound to, and the ‘colonizer’ mentality that persists and plagues hopes for a balance—a diaspora, if you will. We Are No Longer Babaylan normalizes this very unique experience and expertly presents it so the reader can (intentionally or otherwise) reflect upon how their own actions and thoughts have contributed to the cultural and social chasms that exist. You don’t need to be a Fil-Am to find yourself an active participant in Valmidiano’s voyage.”

The Aswang Project

Isobel Francisco

Cover art: Engine by Isobel Francisco
2 x 2 ft (60.96 x 60.96 cm)
oil on canvas
2017

Image of the visual artist, standing before her painting, Costumes, 4 x 8 ft (121.92 x 243.84 cm), oil on canvas, 2017

search previous next tag category expand menu location phone mail time cart zoom edit close